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Author Topic: Parody movies  (Read 184932 times)

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Parody movies, recent opinion
« Reply #30 on: February 01, 2012, 04:03:36 AM »
  Recently I started to like most of them. Before I thought that all of them are stupid, but I saw I wasn't right and we can learn a lot from them, not just watching them for fun. I will forward this topic now...
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Parody movies - Casino Royale (2)
« Reply #31 on: February 11, 2012, 06:55:18 AM »
  Parody movies - moving on with the second part of the information about the film "Casino Royale"

Production
Directors

The production proved to be rather troubled, with five different directors helming different segments of the film, with stunt co-ordinator Richard Talmadge co-directing the final sequence. In addition to the credited writers, Woody Allen, Peter Sellers, Val Guest, Ben Hecht, Joseph Heller, Terry Southern, and Billy Wilder are all believed to have contributed to the screenplay to varying degrees. Val Guest was given the responsibility of splicing the various "chapters" together, and was offered the unique title of "Co-ordinating Director" but declined, claiming the chaotic plot would not reflect well on him if he were so credited. His extra credit was labelled "Additional Sequences" instead.

Early screenplays

Ben Hecht's contribution to the project, if not the final result, was in fact substantial. The Oscar winning writer was the first person whom Feldman recruited to produce a screenplay for the film. He created a number of complete drafts with various evolutions of the story incorporating different scenes and characters. All of his treatments were “straight” adaptations, far closer to the original source novel than the spoof which the final production became. The first, from as early as 1957, is a direct adaptation of the novel, albeit with the Bond character absent, instead being replaced by a poker playing American gangster.

Later drafts see vice made central to the plot, with the Le Chiffre character becoming head of a network of brothels whose patrons are then blackmailed by Le Chiffre to fund Spectre. The racy plot elements opened up by this change of background include a chase scene through Hamburg's red light district that results in Bond escaping whilst disguised as a lesbian mud wrestler. New characters appear such as Lili Wing, a brothel madam and former lover of Bond whose ultimate fate is to be crushed in the back of a garbage truck, and Gita, wife of Le Chiffre. The beautiful Gita, whose face and throat are hideously disfigured as a result of Bond using her as a shield during a gunfight in the same sequence which sees Wing meet her fate, goes on to become the prime protagonist in the torture scene that features in the book, a role originally Le Chiffre's.

Hecht never produced his final script though, dying of a heart attack two days before he was due to present it to Feldman in April 1964. Time reported in 1966 that the script had been completely re-written by Billy Wilder, and by the time the film reached production almost nothing of Hecht's screenplay remained. The one thing that did endure, and indeed became a key plot device of the finished film, was the idea of the name “James Bond” being given to a number of other agents. In the case of Hecht's version, this occurs after the demise of the original James Bond (an event which happened prior to the beginning of his story) which, as Hecht's M puts it “not only perpetuates his memory, but confuses the opposition."

Budget

The studio approved the film's production budget of $6 million, already quite a large budget in 1966. However, during filming the project ran into several problems and the shoot ran months over schedule, with the costs also running well over. When the film was finally completed it had run twice over its original budget. The final production budget of $12 million made it one of the most expensive films that had been made to that point. The previous Eon Bond film, Thunderball, had a budget of $11 million while You Only Live Twice, which was released the same year as Casino Royale, had a budget of $9.5 million. The extremely high budget of Casino Royale caused it to earn the reputation as being "a runaway mini-Cleopatra," referring to the runaway and out of control costs of the 1963 film Cleopatra. The film was due to be released in time for Christmas 1966 but premiered in April 1967.

Feud

The film is notable for the legendary behind-the-scenes drama involving the filming of the segments with Peter Sellers. Supposedly, Sellers felt intimidated by Orson Welles to the extent that, except for a couple of shots, neither was in the studio simultaneously. Other versions of the legend depict the drama stemming from Sellers being slighted, in favour of Welles, by Princess Margaret (whom Sellers knew) during her visit to the set. Welles also insisted on performing magic tricks as Le Chiffre, and the director obliged. Director Val Guest wrote that Welles did not think much of Sellers, and had refused to work with "that amateur".

Some biographies of Sellers suggest that he took the role of Bond to heart, and was annoyed at the decision to make Casino Royale a comedy as he wanted to play Bond straight. This is illustrated in somewhat fictionalized form in the film The Life and Death of Peter Sellers, based upon a biography by Roger Lewis, who claims that Sellers kept re-writing and improvising scenes himself to make them play seriously. This story is in agreement with the observation that the only parts of the film close to the book are the ones featuring Sellers and Welles.[9] In the end Sellers' involvement with the film was cut abruptly short.

Missing footage

Sellers left the production before all his scenes were shot, which is why Tremble is so abruptly captured in the film. Whether he was fired or simply walked off is unclear. Given that he often went absent for days at a time and was involved in conflicts with Welles, either explanation is plausible. Regardless, Sellers was unavailable for the filming of an ending and of linking footage to explain the details, leaving the filmmakers to devise a way to make the existing footage work without him. The framing device of a beginning and ending with David Niven was invented to salvage the footage. Val Guest indicated that he was given the task of creating a narrative thread which would link all segments of the film. He chose to use the original Bond and Vesper as linking characters to tie the story together. Guest states that in the originally released versions of the film, a cardboard cutout of Sellers in the background was used for the final scenes. In later versions, this cardboard cutout image was replaced by a sequence showing Sellers in highland dress, inserted by "trick photography".

Signs of missing footage from the Sellers segments are evident at various points. Evelyn Tremble is not captured on camera; an outtake of Sellers entering a racing car was substituted. In this outtake, Sellers calls for the car, à la Pink Panther, to chase down Vesper and her kidnappers; the next thing that is shown is Tremble being tortured. Out-takes of Sellers were also used for Tremble's dream sequence (pretending to play the piano on Ursula Andress' torso), in the finale (blowing out the candles whilst in highland dress) and at the end of the film when all the various "James Bond doubles" are together. In the kidnap sequence, Tremble's death is also very abruptly inserted; it consists of pre-existing footage of Sellers being rescued by Vesper, followed by a later-filmed shot of her abruptly deciding to shoot Tremble, followed by a freeze-frame over some of the previous footage of her surrounded by bodies (noticeably a zoom-in on the previous shot).

So many sequences from the film ended on the cutting room floor that several well-known actors were cut from the film altogether, including Mona Washbourne, Ian Hendry and Arthur Mullard.

Final sequence

Jean Paul Belmondo and George Raft received major billing, even though both actors appear only briefly. Both appear during the climactic brawl at the end, Raft flipping his trademark coin and promptly shooting himself dead with a backwards-firing pistol, while Belmondo appears wearing a fake moustache as the French Foreign Legion officer who requires an English phrase book to say 'ooch!' when he punches people. At the Intercon science fiction convention held in Slough in 1978, Dave Prowse commented on his part in this film, apparently his big-screen debut. He claimed that he was originally asked to play "Super Pooh", a giant Winnie The Pooh in a superhero costume who attacks Tremble during the Torture Of The Mind sequence. This idea, as with many others in the film's script, was rapidly dropped, and Prowse was re-cast as a Frankenstein-type Monster for the closing scenes. The final sequence was principally directed by former actor and stuntman Richard Talmadge.

Rights

Columbia Pictures distributed this version of Casino Royale. In 1997, following the Columbia/MGM/Kevin McClory lawsuit on ownership of the Bond film series, the rights to the film reverted to MGM (whose sister company United Artists co-owns the Bond film franchise) as a condition of the settlement.

Years later, as a result of the Sony/Comcast acquisition of MGM, Columbia would once again become responsible for the co-distribution of this 1967 version as well as the entire Eon Bond series, including the 2006 adaptation of Casino Royale. However, MGM Home Entertainment changed its distributor to 20th Century Fox Home Entertainment in May 2006, and MGM Television started to self-distribute again. Sony still controls the 2006 adaptation and theatrical rights to this version.

Alongside six other MGM-owned films, the studio posted Casino Royale on YouTube.

Release and reception

The "chaotic" nature of the production was featured heavily in contemporary reviews, while later reviewers have sometimes been kinder towards this. Roger Ebert said "This is possibly the most indulgent film ever made," and Variety said "it lacked discipline and cohesion."

Some later reviewers have been more impressed by the film. Andrea LeVasseur, in the AllMovie review, called it "the original ultimate spy spoof", and opined that the "nearly impossible to follow [plot]" made it "a satire to the highest degree". Further describing it as a "hideous, zany disaster" LeVasseur concluded that it was "a psychedelic, absurd masterpiece". Robert von Dassanowsky has written an article on the artistic merits of the film and says "like Casablanca, Casino Royale is a film of momentary vision, collaboration, adaption, pastiche, and accident. It is the anti-auteur work of all time, a film shaped by the very zeitgeist it took on."

Writing in 1986, Danny Peary noted, "It's hard to believe that in 1967 we actually waited in anticipation for this so-called James Bond spoof. It was a disappointment then; it's a curio today, but just as hard to get through." Peary described the film as being "disjointed and stylistically erratic" and "a testament to wastefulness in the bigger-is-better cinema," before adding, "It would have been a good idea to cut the picture drastically, perhaps down to the scenes featuring Peter Sellers and Woody Allen. In fact, I recommend you see it on television when it's in a two-hour (including commercials) slot. Then you won't expect it to make any sense."

Despite the lukewarm nature of the contemporary reviews the pull of the James Bond name was sufficient to make it the third highest grossing film in North America in 1967 with a gross of $22.7 million and a worldwide total of $41.7 million[16] ($274 million in 2012 dollars).

Orson Welles attributed the success of the film to a marketing strategy that featured a naked tattooed lady on the film's posters and print ads. Since its release the film has been widely criticised by a number of people. For instance, Simon Winder called Casino Royale "a pitiful spoof", while Robert Druce described it as "an abstraction of real life". In his review of the film, Leonard Maltin remarked, "Money, money everywhere, but [the] film is terribly uneven - sometimes funny, often not."

Conversely, Romano Tozzi complimented the acting and humour, although he also mentioned that the film has several dull stretches.
http://en.wikipedia.org/wiki/Casino_Royale_%281967_film%29

Next time we'll learn about the music in this movie!
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Yes, let's do it.
« Reply #32 on: March 01, 2012, 02:45:37 PM »
  Yes, please, let's learn more about the music in this parody movie. I like parody movies, dear people!
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Parody movies - Casino Royale (the music)
« Reply #33 on: March 03, 2012, 09:26:26 AM »
  OK, I will continue the music topic about that parody movie - Casino Royale

http://en.wikipedia.org/wiki/Casino_Royale_%281967_film%29#Music :

 The original music is by Burt Bacharach. Herb Alpert & the Tijuana Brass performed some of the songs with Mike Redway singing the lyrics to the title song as the end credits rolled. (A version of the song was also sung by Peter Sellers.) The title theme was Alpert's second number one on the Easy Listening chart where it spent two weeks at the top in June 1967 and peaked at number twenty-seven on the Billboard Hot 100.

The 4th chapter of the film features the song "The Look of Love" performed by Dusty Springfield. It is played in the scene of Vesper Lynd recruiting Evelyn Tremble, seen through a man-size aquarium in a seductive walk. "The Look of Love" was nominated for the Academy Award for Best Song. The song was a Top 10 radio hit at the KGB and KHJ radio stations. A year later a version by Sérgio Mendes and Brasil '66 reached #4 of Billboard Hot 100. Dusty Springfield's version was heard again in the first Austin Powers film, which was to a degree inspired by Casino Royale. The German version of the film, however, features a German adaptation of "The Look of Love" sung by Mireille Mathieu. To make room for her credit in the film titles, the credit for Jean Paul Belmondo was removed in the German language version.

John Barry's song "Born Free" was also used in the film. At the time, Barry was the main composer for the Eon Bond series.

The original album cover art was done by Robert McGinnis, based on the film poster and the original stereo vinyl release of the soundtrack (Colgems #COSO-5005) is still highly sought after by audiophiles. It has been regarded by some music critics as the finest-sounding LP of all time. The original LP was later issued by Varese Sarabande in the same track order as shown below:

Soundtrack listing

    "Casino Royale Theme" - Herb Alpert & the Tijuana Brass
    "The Look of Love" - Dusty Springfield
    "Money Penny Goes for Broke"
    "Le Chiffre's Torture of the Mind"
    "Home James, Don't Spare the Horses"
    "Sir James' Trip to Find Mata"
    "The Look of Love" (Instrumental)
    "Hi There Miss Goodthighs"
    "Little French Boy"
    "Flying Saucer" - First Stop Berlin
    "The Venerable Sir James Bond"
    "Dream On James, You're Winning"
    "The Big Cowboys and Indians Fight at Casino Royale" / "Casino Royale Theme" (reprise)

Track 5, "Home James...", heard in the film during the brawl at the military auction and Carlton Towers's and Mata Bond's subsequent escape, was re-arranged as "Bond Street", appearing on Bacharach's album Reach Out and on a 45. "Bond Street" itself has since appeared on the early-1990s easy listening compilation CD, This Is...Easy.

One cut conspicuously absent from the earlier film soundtrack issues is the vocal version of the title song, heard over the film's end credits. The album merely replays the instrumental opening theme in the last track.

However, in 2010, Kritzerland Records issued a remastered version of the soundtrack. This limited edition of 1,000 units presented the original album tracks in two parts. The first part used what survived of the original album masters (as they had suffered wear over the intervening decades, and the remainder of the score was unavailable for use on the reissue), was digitally and sonically restored using current technology, and was re-edited so as the music is presented in the order they appeared in the film. Some previously unreleased brief cues were added to this mix, including the aforementioned vocal version of the end title music. The second part was presented in the original LP order, and to address the issue of the sound quality of vinyl, part two was remastered directly from pristine vinyl copies of the LP.

 :) Are you happy? Be happy and watch happy movies. I like parody movies and I also like comedies. I want to watch AGAIN "Dude, Where's My Car?" It's an American comedy film.

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Re: Parody movies
« Reply #34 on: March 03, 2012, 02:26:01 PM »
"Dude, Where's My Car?"? Oh, yes. Ashton Kutcher is a good actor.  :)
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Ashton Kutcher
« Reply #35 on: March 17, 2012, 01:26:08 PM »
 Yes, he is. Ashton Kutcher can act every kind of characters - serious, funny, etc.

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Parody movies - 1970's
« Reply #36 on: March 17, 2012, 01:27:34 PM »
 It's time to move on. Let's introduce the parody movies from the 70's. Scroll down to learn about them.

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Parody movies - 1970's
« Reply #37 on: March 17, 2012, 01:43:30 PM »
                 The first parody movie of 1970 is
         

Carry On Up the Jungle


    Carry On Up the Jungle is the nineteenth Carry On film, released in 1970. The film marked Frankie Howerd's second and final appearance in the series. He stars alongside regular players Sid James, Charles Hawtrey, Joan Sims, Terry Scott and Bernard Bresslaw. Kenneth Williams is unusually absent. Kenneth Connor returns to the series for the first time since Carry On Cleo six years earlier and would now feature in almost every entry up to Carry On Emmannuelle in 1978. Jacki Piper makes the first of her four appearances in the series. This movie is a send-up of the classic Tarzan movies.

Plot

In Edwardian England, camp ornithologist Professor Inigo Tinkle (Frankie Howerd) tells a less-than-raptured audience about his most recent ornithology expedition to the darkest, most barren regions of the African wilds in search for the legendary Oozlum bird, which is said to fly in ever decreasing circles until it disappears up its own rear end. Financing the expedition is Lady Evelyn Bagley (Joan Sims) and the team are led by the fearless (and lecherous) Bill Boosey (Sid James) and his slow-witted African guide, Upsidaisi (Bernard Bresslaw). Also on the expedition is Tinkle's idiotic assistant, Claude Chumley (Kenneth Connor) and June (Jacki Piper), Lady Bagley's unappreciated maidservant. The journey does not get off to a good start, with a mad gorilla terrorizing the campsite and the travellers' realising they have ventured into the territory of the bloodthirsty "Noshas", a tribe of feared cannibals.

On the first night of the expedition, at dinner Lady Bagley reveals that she has embarked on the journey to find her long-lost husband and baby son who vanished twenty years ago on their delayed honeymoon, whilst out on a walk. Her husband is believed to have been eaten by a crocodile, but she hopes to find her baby son, Cecil's, nappy pin as something to remember him by. What the group do not know is watching them from the bushes is the bungling yet compassionate Tarzan-like jungle dweller named Ug (Terry Scott), who has never before seen any other white people, especially a woman. The next day, June stumbles across a beautiful oasis where she saves Ug from drowning, and the two begin to fall in love.

That night, Ug wanders into camp and encounters Lady Bagley in her tent (mistaking it to be June's tent) and she is astonished to see that Ug is wearing Cecil's nappy pin, and that Ug is in fact her lost son, Cecil. But before they can be reunited, Ug flees in shock and Lady Bagley faints with shock. The next day the travellers are kidnapped by the Noshas, but manage to bribe their way out of being cannibalised by giving the tribal witch doctor Tinkle's pocket watch. Tinkle however delays and promises the witch doctor that their gods will bestow a sign of thanks upon them; intending rescue Ug accidentally catapults himself into the Nosha camp and starts a fire. In the chaos, Ug, June and Upsidaisi manage to escape but the enraged Noshas apprehend the other travellers and prepare to kill them.

As they wait to be put to death, they are suddenly rescued by the all-female Lubby-Dubby tribe led by the stunning Leda (Valerie Leon) from the Lost World of Aphrodisia. They are taken to Aphrodisia and meet the king of the tribe Tonka who turns out to be Walter Bagley (Charles Hawtrey), Lady Bagley's missing husband, who was taken by the Noshas years ago but saved and brought to Aphrodisia by the tribal women. Evelyn Bagley is infuriated that he never bothered to search for their missing son, and laments she has seen him but has once again lost him. June and Ug are revealed to be living happily together and June is teaching Ug to speak English.

Bill Boosey, Prof. Tinkle and Chumley enjoy the attention given to them by the tribal women, and Tinkle and Chumley are stunned to find that their elusive Oozlum Bird is in fact a sacred animal to the Lubby-Dubby females. It transpires that the Lubby-Dubbies need the menfolk to save themselves from extinction, as no males have been born in Aphrodisia for over a century. The men think their dreams have come true... until Leda makes it clear that the Lubby-Dubby women have no intention of letting them go. Tonka implies that the last man who tried to escape Aphrodisia was murdered by the tribe.

Three months pass and the men now hate the pressures forced on them by Leda, who in turn is outraged that none of the men's "mates" have gotten pregnant. She overthrows Tonka and assumes his place, threatening harm to the men. However Upsidaisi arrives disguised as a woman and says he has brought soldiers to save them. Ug and June also search for their friends, and Ug summons a stampede of animals to create chaos and enable the men to get away. During the confusing, Tinkle snatches the Oozlum Bird and the team escape, along with Tonka. After the chaos, Leda and her army chase after the men, but are more interested in the trampled soldiers. She says to let the others go, not needing them now that they have "some real men." Lady Bagley is reunited with her beloved son, and the group return to England. Tinkle unveils his Oozlum Bird to his audience... only to find it vanished up inside itself.

June and Ug are happily married with a baby, and live in a treehouse in the suburb, whilst Ug goes to work in a bowler hat and suit, but also barefoot.

Cast

    Frankie Howerd as Professor Inigo Tinkle
    Sid James as Bill Boosey
    Charles Hawtrey as Walter Bagley/King Tonka
    Joan Sims as Lady Evelyn Bagley
    Kenneth Connor as Claude Chumley
    Bernard Bresslaw as Upsidasi
    Terry Scott as Ug the Jungle Boy/Cecil Bagley
    Jacki Piper as June
    Valerie Leon as Leda
    Reuben Martin as Gorilla
    Edwina Carroll as Nerda
    Danny Daniels as Nosha Chief
    Yemi Ajibadi as Witch Doctor
    Lincoln Webb as Nosha with girl
    Heather Emmanuel as Pregnant Lubi
    Verna Lucille MacKenzie as Gong Lubi
    Valerie Moore as Lubi Lieutenant
    Cathi March as Lubi Lieutenant
    Nina Baden-Semper as Girl Nosha
    Roy Stewart as Nosha
    John Hamilton as Nosha
    Willie Jonah as Nosha
    Chris Konylis as Nosha


Crew

    Screenplay - Talbot Rothwell
    Music - Eric Rogers
    Production Manager - Jack Swinburne
    Director of Photography - Ernest Steward
    Editor - Alfred Roome
    Art Director - Alex Vetchinsky
    Assistant Editor - Jack Gardner[disambiguation needed ]
    Camera Operator - James Bawden
    Assistant Director - Jack Causey
    Continuity - Josephine Knowles
    Make-up - Goeffrey Rodway
    Sound Recordists - RT MacPhee & Ken Barker
    Hairdresser - Stella Rivers
    Costume Designer - Courtenay Elliott
    Dubbing Editor - Colin Miller
    Titles - GSE Ltd
    Producer - Peter Rogers
    Director - Gerald Thomas

Filming and locations

    Filming dates – 13 October-21 November 1969

    Maidenhead Library - The location for Professor Tinkle's lecture. The building is now demolished but the original site is directly opposite Maidenhead Town Hall, as featured in Carry On Doctor, Carry On Again Doctor and Carry On Behind.

Pinewood Studios was used for both interior and exterior filming.

Production and casting

Carry On Up the Jungle is, in part, a parody of Hammer films' "Cavegirl" series: One Million Years B.C. (1966), Slave Girls (1968) [1] and more particularly Edgar Rice Burroughs' Tarzan series of books and films.

Bernard Bresslaw learned all his native orders in Swahili; however, the "African" extras were of Caribbean origin and didn't understand. But Sid James, who was born in South Africa, recognised it and congratulated him.[2]

The storyline is partly referenced in the Christmas Special Carry On, when all the characters sit down for Christmas Dinner and eat the Oozlum bird instead of a traditional Turkey.

Charles Hawtrey (born November 1914) as Walter Bagley plays the father of Ugg/Cecil Bagley Terry Scott (born May 1927) despite being merely twelve and a half years his senior. Joan Sims (born May 1930) as Lady Bagley plays his mother though she is three years his junior.

References

 1.   ^ Sinclair McKay (2007) A Thing of Unspeakable Horror: The History of Hammer Films: 105
 2.   ^ Ross and Collins, The Carry On Companion, B. T. Batsford: London, 1996. ISBN 0-7134-7967-1, p87.

Bibliography

    Davidson, Andy (2012). Carry On Confidential. London: Miwk. ISBN 978-1908630018.
    Sheridan, Simon (2011). Keeping the British End Up - Four Decades of Saucy Cinema. London: Titan Books. ISBN 978-0857682796.
    Webber, Richard (2009). 50 Years of Carry On. London: Arrow. ISBN 978-0099490074.
    Hudis, Norman (2008). No Laughing Matter. London: Apex. ISBN 978-1906358150.
    Keeping the British End Up: Four Decades of Saucy Cinema by Simon Sheridan (third edition) (2007) (Reynolds & Hearn Books)
    Ross, Robert (2002). The Carry On Companion. London: Batsford. ISBN 978-0713487718.
    Bright, Ross, Morris, Robert (2000). Mr Carry On - The Life & Work of Peter Rogers. London: BBC Books. ISBN 978-0563551836.
    Rigelsford, Adrian (1996). Carry On Laughing - a celebration. London: Virgin. ISBN 1-85227-554-5.
    Hibbin, Sally & Nina (1988). What a Carry On. London: Hamlyn. ISBN 978-0600558194.
    Eastaugh, Kenneth (1978). The Carry On Book. London: David & Charles. ISBN 978-0715374030.


http://en.wikipedia.org/wiki/Carry_On_Up_the_Jungle

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Parody movies - 1970's - Carry On Henry
« Reply #38 on: March 17, 2012, 01:48:41 PM »

Carry On Henry


Carry On Henry is the 21st of the Carry On series and was released in 1971. It tells a fictionalised story involving Sid James as Henry VIII, who chases after Barbara Windsor's character Bettina. James and Windsor feature alongside other regulars Kenneth Williams, Charles Hawtrey, Joan Sims, Terry Scott and Kenneth Connor. This was the first time that Williams and Connor appeared together since Carry On Cleo seven years previously. The original alternative title was to be Anne of a Thousand Lays, a pun on the Richard Burton film Anne of the Thousand Days, and Sid James wears exactly the same cloak that Burton wore in that film.

The opening theme is a version of Greensleeves, by Eric Rogers.

Casting and characterisation

Sid James plays Henry VIII as a lovable rogue who is surrounded by scheming courtiers. Peter Rogers originally planned on using Harry Secombe in the title role, and in the first draft of the screenplay Henry was going to be an avid composer of madrigals, but the idea was shelved and Sid James took over the role. Two comedic madrigals written for the film but unused were later performed in the 1972 Carry On Christmas special and the 1973 stage show Carry On London.

Plot

The film opens with a passage, which states:

This film is based on a recently discovered manuscript by one William Cobbler, which reveals that Henry VIII did in fact have two more wives. Although it was first thought that Cromwell originated the story, it is now known to be definitely all Cobbler's... from beginning to end.

Henry VIII (Sid James) has his wife Anne of Cleves (Patsy Rowlands) beheaded and quickly marries Marie of Normandy (Joan Sims). This union was organised at the behest of bumbling Cardinal Wolsey (Terry Scott) as Marie is cousin of King Francis I of France. Henry's wedding night ardour dies when he finds she reeks of garlic, but she refuses to stop eating it. Marie gets frustrated so soon receives amorous advances from Sir Roger de Lodgerley (Charles Hawtrey who, while still in his camp persona, is playing against type as a ladies man).

Henry is keen to be rid of Marie, as he has met the lovely Bettina (Barbara Windsor, in her favourite Carry On role). Bettina is the daughter of the Earl of Bristol (Peter Butterworth, in a one scene cameo), a punning reference to Bristols. Thomas Cromwell (Kenneth Williams) assists in ousting Marie by organising Lord Hampton of Wick (Kenneth Connor) to kidnap the King in a staged plot. Cromwell and Lord Hampton also secretly plot to bring the king to harm as part of this escapade, but the false kidnapping fails.

Henry seizes on Marie's infidelity with de Lodgerley to be free of her; all he needs is a confession from de Lodgerley. He orders Cromwell to extract a confession using any means necessary. This leads to a running joke in the torture chamber as Henry keeps changing his mind about the confession due to political necessities, requiring multiple changes and retractions of the original confession. Wolsey is baffled by all the intrigue, and Cromwell is driven to treason by all of Henry's unreasonable demands.

Cast

    Sid James as King Henry VIII
    Kenneth Williams as Thomas Cromwell
    Charles Hawtrey as Sir Roger de Lodgerley
    Joan Sims as Queen Marie of Normandy
    Terry Scott as Cardinal Wolsey
    Barbara Windsor as Bettina
    Kenneth Connor as Lord Hampton of Wick
    Julian Holloway as Sir Thomas
    Peter Gilmore as Francis, King of France
    Peter Butterworth as Charles, Earl of Essex
    Julian Orchard as Duc de Poncenay
    Gertan Klauber as Bidet
    David Davenport as Major-domo
    Margaret Nolan as Buxom lass
    William Mervyn as Physician
    Norman Chappell as 1st plotter
    Derek Francis as Farmer
    Bill Maynard as Guy Fawkes
    Douglas Ridley as 2nd plotter
    Leon Greene as Torturer
    David Prowse as Torturer
    Monica Dietrich as Katherine Howerd
    Billy Cornelius as Guard
    Marjie Lawrence as Serving maid
    Patsy Rowlands as Queen
    Alan Curtis as Conte di Pisa
    John Bluthal as Royal tailor
    Bill McGuirk as Flunkey
    Jane Cardew as Henry's 2nd wife
    Valerie Shute as Maid
    Peter Rigby as Henry's courtier
    Trevor Roberts as Henry's courtier
    Peter Munt as Henry's courtier

Filming and locations

    Filming dates – 12 October-27 November 1970

Interiors:

    Pinewood Studios, Buckinghamshire

Exteriors:

    Windsor Great Park
    The Long Walk, Windsor Castle


Bibliography

    Davidson, Andy (2012). Carry On Confidential. London: Miwk. ISBN 978-1908630018.
    Sheridan, Simon (2011). Keeping the British End Up - Four Decades of Saucy Cinema. London: Titan Books. ISBN 978-0857682796.
    Webber, Richard (2009). 50 Years of Carry On. London: Arrow. ISBN 978-0099490074.
    Hudis, Norman (2008). No Laughing Matter. London: Apex. ISBN 978-1906358150.
    Keeping the British End Up: Four Decades of Saucy Cinema by Simon Sheridan (third edition) (2007) (Reynolds & Hearn Books)
    Ross, Robert (2002). The Carry On Companion. London: Batsford. ISBN 978-0713487718.
    Bright, Ross, Morris, Robert (2000). Mr Carry On - The Life & Work of Peter Rogers. London: BBC Books. ISBN 978-0563551836.
    Rigelsford, Adrian (1996). Carry On Laughing - a celebration. London: Virgin. ISBN 1-85227-554-5.
    Hibbin, Sally & Nina (1988). What a Carry On. London: Hamlyn. ISBN 978-0600558194.
    Eastaugh, Kenneth (1978). The Carry On Book. London: David & Charles. ISBN 978-0715374030.

http://en.wikipedia.org/wiki/Carry_On_Henry

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Parody movies - 1970's - Carry On Dick
« Reply #39 on: March 20, 2012, 01:28:40 PM »

Carry On Dick


"Carry On Dick" is another 70's parody movie

Carry On Dick is the 26th Carry On film. It was released in 1974 and marked the end of an era for the series. It featured the last appearances of Sid James (after 19 entries in the series) and Hattie Jacques (after 14 entries) although both would make a further appearance in the Carry On Laughing TV series. It was also the 20th and final Carry On to be scripted by Talbot Rothwell, and Barbara Windsor's final acting role in a Carry On film, although she would co-present That's Carry On! (a film compilation) three years later. Other regulars in Carry On Dick were Kenneth Williams, Bernard Bresslaw, Joan Sims, Kenneth Connor, Peter Butterworth and Jack Douglas. The story is based on the Dick Turpin legend and features Turpin (James) as an antihero, attempting to evade capture by the authorities.

Plot

In the year 1750, England is rife with crime and highway robbers. In order to stop the wave of chaos, King George sets up the first professional police force named the Bow Street Runners, under the command of the bellowing Sir Roger Daley (Bernard Bresslaw), and seconded by Captain Desmond Fancey (Kenneth Williams) and Sergeant Jock Strapp (Jack Douglas). The Runners are apparently successful in wiping out crime and lawlessness – using all manner of traps and tricks to round the criminals up. However their main target is the notorious Richard "Big Dick" Turpin (Sid James), a highwayman who has evaded capture and succeeded in even robbing Sir Roger and his prim wife (Margaret Nolan). After this humiliation, Turpin becomes the Bow Street Runners' most wanted man, and thus Captain Fancey is assigned to go undercover and catch the famous Dick Turpin and bring him to justice.

The Bow Street Runners nearly succeed in apprehending Turpin and his two partners in crime, Harriet (Barbara Windsor) and Tom (Peter Butterworth), one evening as they hold up a coach carrying faux-Frenchwoman Madame Desiree (Joan Sims), and her not so virginal daughters, "The Birds of Paradise." However, Turpin manages to overpower the Runners and flee.

Outraged by Strapp's incompetence, Captain Fancey travels with the sergeant to the province of Denture, where the majority of Turpin's hold-ups are carried out. There they encounter the mild-mannered Reverend Flasher, who is really Turpin in disguise, with Tom as his church assistant and Harriet as his maidservant. They confide in the rector their true identities and their scheme to apprehend Turpin. They agree to meet at the seedy Old Cock Inn, a notorious hang-out for criminals and sleazy types, and where Desiree and her showgirls are performing. Fancey and Strapp pose as two on the run crooks - and Strapp dubs his superior "Dandy Desmond" - and they hear from the greasy old hag, Maggie (Marianne Stone), a midwife who removed buckshot from Turpin's buttock, that Turpin has a curious birthmark on his manhood. Strapp wastes no time in carrying out an inspection in the public convenience of the Old Cock Inn.

When the rector arrives, he discovers their knowledge of the birthmark, and sweet talks Desiree into assisting him with the capture of "Turpin", whom the rector has told Desiree is actually Fancey, who is sitting downstairs in the bar. She lures him to her room and attempts to undress him, with the help of her wild daughters. The girls pull down his breeches but fail to find an incriminating birthmark, and Desmond staggers half-undressed into the bar. Strapp is also dumped into a horse trough for peeping at the men in the toilets.

Strapp and Fancey send a message to Sir Roger about the birthmark, and are accosted by Harriet in disguise who tells them to meet Turpin that night at ten o'clock. Meanwhile, Tom tells the local constable that he knows where Turpin will be that night - at the location Harriet told Strapp and Fancey to wait. Thus, they are imprisoned as Turpin and his mate, and Sir Roger is yet again robbed on his way to see the prisoners.

However things fall apart when the rector's housekeeper, Martha Hoggett (Hattie Jacques) begins to put two and two together when Mrs Giles (Patsy Rowlands), apparently sick and used for a cover-up story for Dick's raids, is seen fit and well at the church jumble sale. Later that day, Harriet is caught at the Old Cock Inn where Fancey, Strapp and Daley are meeting and Fancey recognises her as the "man" who conned them into being caught. She is chased into Desiree's room and is told to undress to show the infamous birthmark. However, they soon realise she is a woman and are prepared to let her go, but lock her up after Lady Daley recognises a bracelet that Harriet is wearing as one Turpin stole from her.

With the net tightening, the Reverend Flasher gives an elongated sermon before outwitting his would-be captors and making a speedy getaway with Harriett and Tom across the border.

Cast

    Sid James as The Reverend Flasher/Dick Turpin
    Kenneth Williams as Captain Desmond Fancey
    Barbara Windsor as Harriett
    Hattie Jacques as Martha Hoggett
    Bernard Bresslaw as Sir Roger Daley
    Joan Sims as Madame Desiree
    Peter Butterworth as Tom
    Kenneth Connor as Constable
    Jack Douglas as Sergeant Jock Strapp
    Patsy Rowlands as Mrs Giles
    Bill Maynard as Bodkin
    Margaret Nolan as Lady Daley
    John Clive as Isaak
    David Lodge as Bullock
    Marianne Stone as Maggie
    Patrick Durkin as William
    Sam Kelly as Sir Roger's coachman
    George Moon as Mr Giles
    Michael Nightingale as Squire Trelawney
    Brian Osborne as Browning
    Anthony Bailey as Rider
    Brian Coburn as Highwayman
    Max Faulkner as Highwayman
    Jeremy Connor as Footpad
    Nosher Powell as Footpad
    Joy Harrington as Lady
    Larry Taylor as Tough man
    Billy Cornelius as Tough man
    Laraine Humphrys as Bird of Paradise
    Linda Hooks as Bird of Paradise
    Penny Irving as Bird of Paradise
    Eva Reuber-Staier as Bird of Paradise

Crew

    Screenplay - Talbot Rothwell
    Treatment - Lawrie Wyman & George Evans
    Music - Eric Rogers
    Production Manager - Roy Goddard
    Art Director - Lionel Couch
    Editor - Alfred Roome
    Director of Photography - Ernest Steward
    Camera Operator - Jimmy Devis
    Continuity - Jane Buck
    Assistant Director - David Bracknell
    Sound Recordists - Danny Daniel & Ken Barker
    Make-up - Geoffrey Rodway
    Hairdresser - Stella Rivers
    Costume Design - Courtenay Elliott
    Set Dresser - Charles Bishop
    Dubbing Editor - Peter Best
    Horse Master - Gerry Wain
    Assistant Editor - Jack Gardner
    Casting Director - John Owen
    Stills Cameraman - Tom Cadman
    Wardrobe Mistresses - Vi Murray & Maggie Lewin
    Coach & Horses - George Mossman
    Titles - GSE Ltd
    Processor - Rank Film Laboratories
    Producer - Peter Rogers
    Director - Gerald Thomas

Filming and locations

    Filming dates – 4 March-11 April 1974

Interiors:

    Pinewood Studios, Buckinghamshire

Exteriors:

    Countryside and woods near Pinewood Studios at Black Park Iver Heath
    The Jolly Woodman Pub, Iver Heath, Buckinghamshire
    Stoke Poges Manor

Bibliography

    Davidson, Andy (2012). Carry On Confidential. London: Miwk. ISBN 978-1908630018.
    Sheridan, Simon (2011). Keeping the British End Up - Four Decades of Saucy Cinema. London: Titan Books. ISBN 978-0857682796.
    Webber, Richard (2009). 50 Years of Carry On. London: Arrow. ISBN 978-0099490074.
    Hudis, Norman (2008). No Laughing Matter. London: Apex. ISBN 978-1906358150.
    Keeping the British End Up: Four Decades of Saucy Cinema by Simon Sheridan (third edition) (2007) (Reynolds & Hearn Books)
    Ross, Robert (2002). The Carry On Companion. London: Batsford. ISBN 978-0713487718.
    Bright, Ross, Morris, Robert (2000). Mr Carry On - The Life & Work of Peter Rogers. London: BBC Books. ISBN 978-0563551836.
    Rigelsford, Adrian (1996). Carry On Laughing - a celebration. London: Virgin. ISBN 1-85227-554-5.
    Hibbin, Sally & Nina (1988). What a Carry On. London: Hamlyn. ISBN 978-0600558194.
    Eastaugh, Kenneth (1978). The Carry On Book. London: David & Charles. ISBN 978-0715374030.

http://en.wikipedia.org/wiki/Carry_On_Dick
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I miss parody movies
« Reply #40 on: April 16, 2012, 01:15:32 AM »
Right now I posted in another forum that I like watching comedies and mostly - parody movies and I remembered this topic. I miss parody movies. :D :)

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Parody movies - 1974 - Blazing Saddles
« Reply #41 on: April 18, 2012, 12:38:55 PM »
 Today I will continue our parody movies topic with a parody movie from 1974 named "Blazing Saddles".

Blazing Saddles is a 1974 satirical Western comedy film directed by Mel Brooks. Starring Cleavon Little and Gene Wilder, the film was written by Brooks, Andrew Bergman, Richard Pryor, Norman Steinberg, and Al Uger, and was based on Bergman's story and draft.[3] The movie was nominated for three Academy Awards, and is ranked No. 6 on the American Film Institute's 100 Years...100 Laughs list.

Brooks appears in multiple supporting roles, including Governor William J. Le Petomane and a Yiddish-speaking Indian chief. The supporting cast also includes Slim Pickens, Alex Karras, and David Huddleston, as well as Brooks regulars Dom DeLuise, Madeline Kahn, and Harvey Korman. Bandleader Count Basie has a cameo as himself.

The film satirizes the racism obscured by myth-making Hollywood accounts of the American West, with the hero being a black sheriff in an all white town. The film is full of deliberate anachronisms, from the Count Basie Orchestra playing "April in Paris" in the Wild West to a rustler referring to the Wide World of Sports to Nazis.

Plot

In the American Old West of 1874, construction on a new railroad led by Lyle (Burton Gilliam) runs into quicksand. The route has to be changed, which will require it to go through Rock Ridge, a frontier town where everyone has the last name of "Johnson" (including a "Howard Johnson", a "Dr. Samuel Johnson", a "Van Johnson" and an "Olson N. Johnson".) The conniving State Attorney General Hedley Lamarr (Harvey Korman) wants to buy the land along the new railroad route cheaply by driving out the townspeople. He sends a gang of thugs, led by his flunky assistant Taggart (Slim Pickens), to scare them away, prompting the townsfolk to demand that Governor William J. Le Petomane (Mel Brooks) appoint a new sheriff. The Attorney General convinces the dim-witted Le Petomane to select Bart (Cleavon Little), a black railroad worker who was about to be hanged. (Bart had hit Taggart in the head with a shovel after Taggart ignored him and his black friend sinking in quicksand, deciding to save their handcar instead.) Lamarr believes a black lawman will so offend the townspeople that they will either abandon Rock Ridge or lynch the new sheriff, with either result paving the way for him to take over the town.

With his quick wits and the assistance of drunken gunslinger Jim (Gene Wilder), also known as "The Waco Kid" ("I must have killed more men than Cecil B. DeMille"),[4] Bart works to overcome the townsfolk's hostile reception. He defeats and befriends Mongo (Alex Karras), an immensely strong, slow-thinking (but surprisingly philosophical) henchman sent by Taggart and Lyle to kill Bart, and then beats German seductress-for-hire Lili von Shtupp (Madeline Kahn) at her own game. Lamarr is furious that his plans keep failing and decides to destroy Rock Ridge with a newly recruited and diverse army of thugs (which Lamarr characterized as ideally consisting of "rustlers, cutthroats, murderers, bounty hunters, desperadoes, mugs, pugs, thugs, nitwits, half-wits, dimwits, vipers, snipers, con men, Indian agents, Mexican bandits, muggers, buggerers, bushwhackers, hornswagglers, horse thieves, bull dykes, train robbers, bank robbers, ass kickers, shit kickers – and Methodists"). In a scene where Lamarr hires his villains, the candidates include bikers, Arabs, banditos, crusaders, Nazis, and Klansmen. Lamarr even kills a bank robber for chewing gum in line and not having enough to share with everyone else.

Bart now has twenty-four hours to come up with a "brilliant plan to save our town." He gathers the town, along with the railroad workers, three miles east of Rock Ridge to build a fake town as a diversion. The workers labor all night to complete their task. After the sun rises, the fake town is a perfect replica, right down to the orange roof on Howard Johnson's outhouse. Bart realizes the town has no people in it, so it won't fool Lamarr's villains. Bart orders the townspeople to make "exact replicas of themselves," and leaves with Jim and Mongo to execute a plan that will slow the villains "to a crawl." The three construct a tollbooth labeled "Le Petomane Thruway," requiring Taggart's crew to pay ten cents each to pass on their horses. Upon seeing it, Taggart asks, "now what will that asshole think of next?" Since no one in the raiding party is carrying any change, nor do they realize that there is nothing stopping them from simply riding around the tollbooth, Taggart sends someone back to town to "get a shitload of dimes."

Once through the tollbooth, Lamarr's villains attack the fake town, which Bart boobytrapped with several dynamite bombs. Bart attempts to set off the bombs but is unsuccessful as the detonator he has won't work. Jim is given the task of exploding the bombs, which he does by firing pistol shots into them. After the bombs explode, throwing villains high into the air, the citizens of Rock Ridge attack the villains.

The resulting fight between the townsfolk and Lamarr's army of thugs breaks the fourth wall, quite literally; the fight spills out from the Warner Bros. film lot into a neighboring all-gay musical set being directed by Buddy Bizarre (Dom DeLuise), then into the studio commissary, where a pie fight ensues. Taggart is knocked out when Mongo smashes his head on a cash register, and the fight finally pours out into the surrounding streets. The citizens of Rock Ridge chase the villains back to town to destroy them, but Lamarr runs to the theater while Bart and Jim follow him.

The film ends with Bart killing Lamarr by shooting him in the groin at the 'premiere' of Blazing Saddles outside Grauman's Chinese Theatre, saving the town, and then joining Jim inside the theatre to view the end of the movie, persuading people of all colors and creeds to live in harmony, before they hand in their horses and ride off (in a limousine) into the sunset.

Cast

    Cleavon Little as Sheriff Bart
    Gene Wilder as Jim, aka "The Waco Kid"
    Harvey Korman as Hedley Lamarr
    Madeline Kahn as Lili von Shtupp, the "Teutonic Titwillow"
    Slim Pickens as Taggart
    Dom DeLuise as Buddy Bizarre
    Mel Brooks as Gov. William J. Le Petomane / Indian Chief / Tough wearing sunglasses and a bomber jacket.
    Liam Dunn as Reverend Johnson
    George Furth as Van Johnson
    Burton Gilliam as Lyle
    John Hillerman as Howard Johnson
    David Huddleston as Olson Johnson
    Richard Collier as Dr. Samuel Johnson
    Alex Karras as Mongo
    Jack Starrett as Gabby Johnson
    Robyn Hilton as Miss Stein (the governor's secretary)
    Rodney Allen Rippy as Young Bart
    Charles McGregor as Charlie
    Robert Ridgely as Boris, the hangman
    Carol Arthur as Harriet Johnson
    Anne Bancroft as Extra in Church Congregation (uncredited)

Notes

    Count Basie appears as himself in a cameo, with his band, which plays "April in Paris".
    Mel Brooks also appears in a cameo as one of Hedley Lamarr's toughs, wearing sunglasses and a bomber jacket. He also dubbed the voice for one of the German chorus boys backing Madeline Kahn's performance of "I'm Tired", speaking lines such as "Give her a break!", "She's not a snake" and, "Don't you know she's pooped?!"

Production

In the DVD commentary, Brooks explains that the original title of the film, Tex X (as in the name of Black Muslim leader Malcolm X), was rejected, along with Black Bart and Purple Sage. Finally, Brooks concocted the title Blazing Saddles while taking a shower.[5]

Blazing Saddles was Brooks' first film shot in anamorphic format. To date, this film and History of the World, Part I are the only Brooks films in this format.

Brooks had repeated conflicts with studio executives over the cast and content. They objected to both the highly provocative script and to the "irregular" activities of the writers (particularly Richard Pryor, who reportedly led all-night writing jams where loud music and drugs played a prominent role). Brooks wanted Pryor to play the sheriff, but Warner executives expressed concern over Pryor's reliability because of his heavy drug use and the belief that he was mentally unstable.[5] In a similar vein, Gene Wilder was the second choice to play the Waco Kid. He was quickly brought in to replace Gig Young after the first day of filming.[6]

After screening the movie, the head of Warner Bros. complained about the use of the word "nigger", a flatulent campfire scene, and Mongo punching a horse. Brooks was told to remove these elements. As Brooks' contract gave him control of the final cut, the complaints were disregarded and the elements remained. The only element removed was a scene in which Lili tried to seduce Bart in the dark, prompting him to quip, "I hate to disappoint you, ma'am, but you're sucking my arm."

Brooks wanted the movie's title song to reflect the western genre, and advertised in the trade papers for a "Frankie Laine-type" sound. Several days later, Laine himself visited Brooks' office to offer his services. Brooks had not told Laine that the movie was a comedy: "'Frankie sang his heart out... and we didn't have the heart to tell him it was a spoof — we just said, 'Oh, great!'. He never heard the whip cracks; we put those in later. We got so lucky with his serious interpretation of the song."[7]

In an interview included in the DVD release of Blazing Saddles, Brooks claimed that Hedy Lamarr threatened to sue, saying the film's running "Hedley Lamarr" joke infringed her right to publicity. This is lampooned when Hedley corrects Governor Le Petomane's pronunciation of his name, and Le Petomane replies with "What the hell are you worried about? This is 1874, you'll be able to sue her!". Brooks says he and the actress settled out of court for a small sum. In the same interview, Brooks related how he managed to convince John Wayne to read the script after meeting him in the Warner Bros. studio commissary. Wayne was impressed with the script, but politely declined a cameo, fearing it was "too dirty" for his family image. He is also said to have told Brooks that he "would be first in line to see the film, though".

Influences

The movie poster shows an "Indian" Mel Brooks with a headband saying in Hebrew "Kosher L'Pesach," or "Kosher for Passover."

The plot (i.e. thwarting a ruthless scheming land-grabber) was a spoof of countless Western movies and cliches, including Destry Rides Again, The Wild Bunch and Once Upon a Time in the West.

The film, town, and many of the scenes, music, and themes in Blazing Saddles were parodies of the classic Gary Cooper film High Noon. The church scene in particular was imitated down to the costumes and 'murmuring' of the townsfolk. Brooks' The Ballad Of Rock Ridge uses motifs and melodies that echo "Do Not Forsake Me, Oh My Darlin'", performed by Tex Ritter.

The line "We don't need no stinking badges!" is a reference to a similar line in the Humphrey Bogart and John Huston film The Treasure of Sierra Madre.

Madeline Kahn's character, Lili Von Shtupp, is a parody of Marlene Dietrich in her chanteuse roles from Destry Rides Again and The Blue Angel, etc. The song "I'm Tired" is a parody of Dietrich's "I'm the Laziest Gal in Town" from Hitchcock's Stage Fright. 'Shtup' is a Yiddish verb meaning "to stuff, poke, or fill" but which is commonly used as a vulgarism best translated into English as "to have sex" (and which is considered as crude in polite society as its English counterpart). (When broadcast on television, Lili's last name is usually changed to "Shhhhhh..." to avoid use of the vulgarism, but is still written normally on the title card.)

Some references to Mel Brooks' first film The Producers include the playing of "Springtime for Hitler" before the introduction of Lili von Shtupp, Governor Le Petomane's echoes of Max Bialystock's line "Hello Boys!" and the use of the theme from "The French Mistake" when Hedley Lamarr and others escape the movie studio lot after breaking the fourth wall. Brooks also used the names of actors Richard Dix and Randolph Scott as partial tributes to both stars.

The scene under Hedley Lamarr's office window involving Boris, the Quasimodo-like hangman, is used again in a larger fashion in Brooks' 1993 comedy, Robin Hood: Men in Tights with Robert Ridgely reprising his role.

The extensions to the ISO 9660 standard for Unix Filesystem attributes are named as Rock Ridge extensions after the movie's town.

Reception

While the film is widely considered a classic comedy today, critical reaction was mixed when the film was first released.[citation needed] Vincent Canby wrote:[8]

    “Blazing Saddles has no dominant personality, and it looks as if it includes every gag thought up in every story conference. Whether good, bad, or mild, nothing was thrown out. Mr. [Woody] Allen's comedy, though very much a product of our Age of Analysis, recalls the wonder and discipline of people like Keaton and Laurel and Hardy. Mr. Brooks's sights are lower. His brashness is rare, but his use of anachronism and anarchy recalls not the great film comedies of the past, but the middling ones like the Hope-Crosby "Road" pictures. With his talent he should do much better than that.”

Roger Ebert gave the film four stars and called it a "crazed grabbag of a movie that does everything to keep us laughing except hit us over the head with a rubber chicken. Mostly, it succeeds. It's an audience picture; it doesn't have a lot of classy polish and its structure is a total mess. But of course! What does that matter while Alex Karras is knocking a horse cold with a right cross to the jaw?"[9] The film grossed $119.5 million in the box office becoming only the tenth film in history up to that point to pass the $100 million mark.[10]

On Rotten Tomatoes, the film has a "Certified Fresh" rating of 89%.[11]

Awards and honors

In the scene where Lamarr addresses his band of bad guys, he says, "You men are only risking your lives, while I am risking an almost-certain Academy Award nomination for Best Supporting Actor!" Harvey Korman did not, in fact, get an Oscar nomination, but the film did receive three other Academy Awards nominations in 1974: Best Actress in a Supporting Role for Madeline Kahn, Best Film Editing, and Best Music, Original Song. The film also earned two BAFTA awards nominations, for Best Newcomer (Cleavon Little) and Best Screenplay.

The film won the Writers Guild of America Award for "Best Comedy Written Directly for the Screen" for writers Mel Brooks, Norman Steinberg, Andrew Bergman, Richard Pryor, and Alan Uger.[12]

In 2006, Blazing Saddles was deemed "culturally, historically, or aesthetically significant" by the Library of Congress and was selected for preservation in the National Film Registry.[13] The American film critic Dave Kehr queried if the historical significance of Blazing Saddles lay in the fact that it was the first film from a major studio to have a fart joke.[14]

Legacy

TV pilot

A television pilot was produced for CBS based on Andrew Bergman's initial story, titled Black Bart,[15] which was the original title of the film. It featured Louis Gossett, Jr. as Bart and Steve Landesberg as the drunk sidekick. Mel Brooks had little if anything to do with the pilot, as writer Andrew Bergman is listed as the sole creator. The pilot did not sell, but CBS aired it once on April 4, 1975. It was later included as a bonus feature on the Blazing Saddles 30th Anniversary DVD and the Blu-ray disc.

Musical adaptation

With the production of musical adaptations of The Producers and Young Frankenstein, rumors spread about a possible adaptation of Blazing Saddles. Brooks joked about the concept in the final number in Young Frankenstein, in which the full company sings, "next year, Blazing Saddles!" In 2010, Mel Brooks confirmed this, saying that the musical could be finished within a year. No creative team or plan has been announced.[16]

Soundtrack

The first studio-licensed release of the full music soundtrack to Blazing Saddles was on La-La Land Records on August 26, 2008. Remastered from original studio vault elements, the limited edition CD (a run of 3000) features the songs from the film as well as composer John Morris's score. Instrumental versions of all the songs are bonus tracks on the disc. The disc features exclusive liner notes featuring comments from Mel Brooks and John Morris.[17]

Notes

    ^ Stewart, Jocelyn (February 10, 2008). "John Alvin, 59; created movie posters for such films as 'Blazing Saddles' and 'E.T.'". Los Angeles Times. Retrieved February 10, 2008.
    ^ "Box Office Information for Blazing Saddles". Box Office Mojo. Retrieved January 17, 2012.
    ^ Director and Leading Actors
    ^ Quotes from Blazing Saddles (1974) – GarnersClassics.com.
    ^ a b 2001 Review, mostly of Brooks's DVD commentary, from Salon.com
    ^ IMDb Biography for Gig Young
    ^ From the libretto of the La-LaLand Records soundtrack album
    ^ Review of Blazing Saddles by Vincent Canby
    ^ Roger Ebert. "Blazing Saddles". Chicago Sun-Times.
    ^ http://boxofficemojo.com/movies/?id=blazingsaddles.htm
    ^ http://www.rottentomatoes.com/m/blazing_saddles/
    ^ Awards for Blazing Saddles (1974)
    ^ http://www.imdb.com/title/tt0071230/awards
    ^ National Film Registry Announces New Titles
    ^ Black Bart at the Internet Movie Database
    ^ Back on the Horse: Mel Brooks Penning Songs for Blazing Saddles Musical
    ^ Blazing Saddles press release at La-La Land Records

http://en.wikipedia.org/wiki/Blazing_Saddles

Parody movie fan

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Re: Parody movies
« Reply #42 on: June 30, 2012, 02:51:59 AM »
Hi what's up? More porody movies PLEASE!!!!! 8)

elisaevedent

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Re: Parody movies
« Reply #43 on: October 31, 2012, 08:11:47 PM »
Tell me some good parody movies?

appleer

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Re: Parody movies
« Reply #44 on: November 02, 2012, 05:03:09 PM »
crazy stone ,my favourite :D

 

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