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Directory | SEO directory / Re: Boats

« on: January 25, 2012, 07:30:48 PM »

 Yes, it is. I like movies about boats, ships, sea, islands. This is a really nice opportunity!

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Stars / Parody films (1940s)

« on: January 03, 2012, 09:24:20 PM »

Abbott and Costello Meet the Killer, Boris Karloff

Abbott and Costello Meet the Killer, Boris Karloff is a 1949 comedy horror film starring Abbott and Costello and Boris Karloff. The full onscreen title is Bud Abbott and Lou Costello Meet the Killer, Boris Karloff.

In 1956 the film was re-released along with Abbott and Costello Meet Frankenstein.

Plot

Prominent criminal attorney Amos Strickland (Nicholas Joy) checks into the Lost Caverns Resort Hotel, and is later discovered murdered by the bellboy, Freddie Phillips (Lou Costello), who is implicated in the crime. Casey Edwards (Bud Abbott), the house detective, tries to clear Freddie, but Inspector Wellman (James Flavin) and Sergeant Stone (Mikel Conrad) keep him in custody.

Seven of Strickland's former clients happen to be at the resort, and they are all suspects. These former clients are Swami Talpur (Boris Karloff), Angela Gordon (Lénore Aubert), Mrs. Hargreave (Victoria Horne), T. Hanley Brooks (Roland Winters), Lawrence Crandall (Harry Hayden), Mrs. Grimsby (Claire DuBrey) and Mike Relia (Vincent Renno). They gather for a meeting, and decide that they must conceal their pasts and that Freddie must take the blame for Strickland's murder. They try unsuccessfully to get Freddie to sign a confession, e.g., Angela tries to seduce him, but the police stop her when they fear she's poisoned the champagne. Then the Swami attempts to hypnotize him into committing suicide, but his stupidity saves him.

Freddie and the two police officers, in an attempt to lure the real killer, inform everyone that Freddie is in possession of a blood-stained handkerchief that was found at the murder scene. Soon afterwards, several attempts to kill Freddie are made, including gun shots at window of his booby trapped room, and locking him in a steam cabinet. Eventually Freddie hears a voice that calls him to bring the handkerchief to the Lost Cavern. There he meets up with a masked figure who offers to save him from the hole he has just fallen into in exchange for the handkerchief. Freddie makes the mistake of telling the mysterious figure that he left it in his room. He is left in the hole, but is eventually rescued by the two police officers.

Back at the hotel, everyone has gathered together and Stone returns with some muddy shoes that belong to Melton (Alan Mowbray), the hotel manager, which proves that he was the one in the caverns with Freddie. His motive for the murder was that he, Relia and Millford, Strickland's secretary, were blackmailing the owner Mr. Crandell. When Strickland found out, he came to investigate, so Melton killed him. Millford then sent down the former clients to use as decoys for the police, but Melton then killed Relia and Millford to cover it all up. He attempts to escape through a window, but is caught by a booby trap previously set by Freddie.

Production

It was filmed from February 10 through March 26, 1949.

The original script, titled Easy Does It, was written with actor-comedian Bob Hope in mind. However, Universal then purchased the rights and reworked it for Abbott and Costello.[1].

The role eventually played by Boris Karloff in the film was originally a female character named Madame Switzer in the final shooting script which was then titled, Abbott and Costello Meet the Killers. Five days before shooting, Karloff was hired and the character was changed to a swami.

After filming was completed, Costello was bedridden for several months due to a relapse of rheumatic fever, which he originally battled in 1943. As a result, the duo would not make another film together until one year later, 1950's Abbott and Costello in the Foreign Legion.

Boris Karloff's inclusion in the title of the film seems evident from the movie poster, which includes a comma between the words "Killer" and "Boris Karloff," but the actual credits in the film show no such distinction, and could be interpreted as "Abbott and Costello Meet the Killer," followed by the co-star credit "Boris Karloff."

Alternate versions

In Australia and New Zealand, every scene with a corpse was removed prior to distribution. The film was banned in Denmark due to the scene where corpses play cards.

Routines

Changing Room, where Costello keeps finding a dead body and when he tries to show it to Abbott (or anyone else), it is no longer there. This comic device was first used in Hold That Ghost (1941).

Cast

    Bud Abbott as Casey Edwards
    Lou Costello as Freddie Phillips
    Lénore Aubert as Angela Gordon
    Gar Moore as Jeff Wilson
    Donna Martell as Betty Crandall
    Alan Mowbray as Melton
    James Flavin as Inspector Wellman
    Roland Winters as T. Hanley Brooks
    Nicholas Joy as Amos Strickland
    Mikel Conrad as Sgt. Stone
    Morgan Farley as Gregory Milford
    Victoria Horne as Mrs. Hargreave
    Percy Helton as Abernathy
    Claire Du Brey as Mrs. Grimsby
    Boris Karloff as Swami Talpur


DVD releases

This film was released twice on DVD, on The Best of Abbott and Costello Volume Three, on August 3, 2004, and again on October 28, 2008 as part of Abbott and Costello: The Complete Universal Pictures Collection.

http://en.wikipedia.org/wiki/Abbott_and_Costello_Meet_the_Killer,_Boris_Karloff

3

Stars / Parody films (1940s)

« on: January 03, 2012, 08:38:20 PM »

Parody movies (1940s)

-Abbott and Costello Meet Frankenstein (1948)
-Abbott and Costello Meet the Killer, Boris Karloff (1949)

http://en.wikipedia.org/wiki/Parody_film

 

Abbott and Costello Meet Frankenstein

 Abbott and Costello Meet Frankenstein (which has the onscreen title Bud Abbott Lou Costello Meet Frankenstein) is a 1948 American comedy horror film directed by Charles Barton and starring the comedy team of Abbott and Costello. It is the first of several films where the comedy duo meets classic characters from Universal's horror film stable. In this film, they encounter Count Dracula, Frankenstein's monster and the Wolf Man, while subsequent films pair the duo with the Mummy, Dr. Jekyll and Mr. Hyde, and the Invisible Man. On a TV special in the early 1950s, the two did a sketch where they interacted with the latest original Universal Studios monster being promoted at the time, the Creature from the Black Lagoon (1954). The film is considered the swan song for the "Big Three" Universal horror monsters – Count Dracula, the Wolf Man and Frankenstein's monster – although it does not appear to fit within the loose continuity of the earlier films.

In 2001, the United States Library of Congress deemed this film "culturally, historically, or aesthetically significant" and selected it for preservation in the National Film Registry, and in September 2007, Readers Digest selected the movie as one of the top 100 funniest films of all time. The 1948 film is recognized by historians as the definitive end point to the American golden age of the monster mash and the classic Universal monster cycle.

Plot

he film opens with Larry Talbot (Lon Chaney, Jr.) making an urgent call from London to a railway baggage claim room in LaMirada, Florida where Chick Young (Bud Abbott) and Wilbur Grey (Lou Costello) work as baggage-clerks. Talbot tries to impart the danger of a shipment to the "McDougal House Of Horrors" to Wilbur. However, before he is able, a full moon rises and he becomes The Wolf Man and the call is disconnected. Wilbur, thinking the call is just a crank, continues on with his work day. Then, the actual Mr. McDougal (Frank Ferguson) shows up to claim the shipment of crates containing "the remains of the original Count Dracula (Béla Lugosi)" and "the body of the Frankenstein Monster" (Glenn Strange). However, when Wilbur and Chick mishandle the crates, McDougal demands that they deliver them in person so an insurance agent can inspect them for damages.

When Chick and Wilbur get to McDougal's "House Of Horrors", they open the first shipping crate and find a coffin with "Dracula" inscribed on the front. Wilbur witnesses Dracula awaken when Chick is out of the room, but fails to get his attention in time. Dracula hypnotizes Wilbur and re-animates Frankenstein's Monster. McDougal then arrives with the insurance agent and Chick in tow. Finding the storage crates empty, McDougal accuses the boys of theft and has them arrested.

That night, Dr. Sandra Mornay (Lénore Aubert) receives Dracula and the Monster at her island castle. Sandra, a gifted surgeon who has studied Dr. Frankenstein's notebooks, has been posing as Wilbur's girlfriend as part of Dracula's scheme to replace the Monster's brutish brain with a more pliable one — Wilbur's.

Wilbur and Chick are bailed out of jail and mistakenly believe Sandra to be their benefactor. It is actually Joan Raymond (Jane Randolph), who is secretly working for the insurance company that is processing McDougal's claim, and hopes Wilbur will lead her to the missing "exhibits". Meanwhile, Larry Talbot has taken the apartment across the hall from Wilbur and Chick. He has tracked Dracula and the Monster from Europe and knows them to be alive. Talbot asks Chick and Wilbur to help him find and destroy Dracula and the Monster.

The next day, Joan Raymond comes to Chick and Wilbur's apartment and feigns love for Wilbur. Wilbur, not expecting the favor but embracing it, invites Joan to the masquerade ball that evening. That night, Wilbur, Chick and Joan go to Sandra's castle to pick her up for the ball. While the ladies powder their noses, Wilbur answers a telephone call from someone wanting to speak to a 'Dr Leighos'. It is Talbot, who informs them that they are in fact in the "House of Dracula". Wilbur reluctantly agrees to search the castle with Chick, and soon stumbles upon an underground passageway, complete with boat and dock. Meanwhile, Joan has discovered Dr. Frankenstein's notebook in Sandra's bureau and Sandra has discovered Joan's insurance company employee I.D. in her purse.

After the women re-join the men, a suavely dressed Dr. Leighos, (a.k.a. Dracula) descends the castle stairs and introduces himself to Joan and the boys. Also working at the castle is the naive Prof. Stevens (Charles Bradstreet), who questions some of the specialized equipment that has arrived. In private, Sandra admits that Stevens' questions, Joan's credentials, and Wilbur's curiosity in the basement have made her nervous enough to put the experiment on hold. Impatient, Dracula asserts his will by hypnotizing her, biting her in the throat, and making her his vampire slave.

At the ball, the boys encounter Talbot and McDougal just as Dracula and Sandra rejoin the group. Dracula, when confonted by Talbot, easily deflects accusations that he is "the real thing". While Dracula takes Joan for a dance, Sandra lures Wilbur to a quiet spot. Before she can move in and bite him, Chick and Larry approach and she flees. As they search for Joan, Talbot transforms into the Wolf Man. Wilbur escapes, but the Wolf Man finds and injures McDougal. Noting that Chick has brought a wolf mask as his costume to the ball, McDougal concludes that it was Chick who actually attacked him out of revenge. Chick manages to slip away, only to witness Dracula hypnotizing Wilbur. Chick is then also hypnotized and rendered helpless while Dracula and Joan bring Wilbur back to the castle. The next morning, Chick and Talbot agree to work together to rescue Wilbur and Joan.

While Wilbur is being held in a pillory, Sandra finally explains to him the plan to transplant his brain into the Monster. She and Dracula leave him to prepare the Monster for the operation. While Dracula gives the Monster electrical boosts in the lab, Sandra prepares to open Wilbur's skull when Talbot and Chick storm in. Talbot struggles with Sandra and casts her aside. Chick knocks out Sandra and just as Talbot is about to untie Wilbur, he once again transforms into the Wolf Man. Dracula flees, with the Wolf Man giving chase. Chick arrives to untie Wilbur just as the Monster, now at full power, breaks his own restraints and rises from his stretcher. Sandra attempts to order him back, but the Monster defiantly throws her out the lab window to her death.

Dracula, in an attempt to escape, transforms into a bat, but the Wolf Man snares him and both fall over a balcony to their deaths in the rocky seas below. Joan abruptly wakes from her trance, while the boys escape the castle and head to the pier with the Monster in pursuit. Wilbur succeeds in untying the boat, while Stevens and Joan arrive and set the pier ablaze. The Monster turns around and marches into the flames, succumbing as the pier collapses into the water.

Just as Chick and Wilbur relax, they hear a disembodied voice (provided by Vincent Price) and see a cigarette floating in the air. The voice says: "Allow me to introduce myself, I'm the Invisible Man!" The boys jump off the boat and swim away while the Invisible Man lights his cigarette and laughs as the final scene comes to a close.

Cast

    Bud Abbott as Chick Young
    Lou Costello as Wilbur Grey
    Lon Chaney Jr. as Lawrence Talbot/The Wolf Man
    Béla Lugosi as Count Dracula
    Glenn Strange as Frankenstein's Monster
    Lenore Aubert as Dr. Sandra Mornay
    Jane Randolph as Joan Raymond
    Frank Ferguson as Mr. McDougal
    Charles Bradstreet as Prof. Stevens
    Vincent Price as The Invisible Man (voice cameo)

Production notes

    The film was originally intended to be titled The Brain of Frankenstein, but its name was changed prior to the filming schedule, which ran from February 5 through March 20, 1948.
    Walter Lantz, noted for the creation of Woody Woodpecker, provided the animation for Dracula's transformations.
    In a 1996 documentary, 100 Years of Horror, hosted by Christopher Lee, it was revealed that the studio hired two additional comedians to add laughs between takes on the set.
    Costello hated the script. He said that his five-year-old daughter could have written something better, but later warmed to the film during production.
    During filming, Glenn Strange found Costello so funny he would often break up laughing, necessitating many retakes (this is readily apparent in the scene where Costello sits on the Monster's lap). There were several pie fights between takes as well, but Abbott and Costello respected the three monsters (Chaney as the Wolfman, Lugosi as Dracula and Strange as the Monster) and made sure no pies were flung at the heavily made-up actors.
    Boris Karloff was originally approached to play the monster once again but declined. He did, however, help promote the film and can be seen in several publicity photos, including one where he is buying a ticket, even though he refused to actually see the film (considering it an insult to horror movies).
    During the scene in the laboratory where the Monster comes after Chick and Wilbur after throwing Sandra through the window, Glenn Strange stepped on a camera cable, causing the camera to fall and break some bones in his foot. Lon Chaney, who was not working that day, took over the role of the Monster for that one scene.
    The Australian film board required that almost every scene involving a monster be removed before release.
    This was the only time Béla Lugosi reprised the famous role he had created in Dracula (1931). He had previously portrayed vampires in Mark of the Vampire (1935), The Return of the Vampire (1944) and Old Mother Riley Meets the Vampire (1952), and made a gag cameo as Dracula in a 1933 Hollywood on Parade short, but this was the only time he again played Dracula as a sustained role on film.

    The final scene with the Invisible Man presaged 1951's Abbott and Costello Meet the Invisible Man, though Price did not star, and all characters were different. Vincent Price had appeared however in 1940's The Invisible Man Returns.


Film mistakes

At one point in the film, where Abbott and Costello's characters are going through the revolving panel, Costello calls Abbott by his real name instead of his character's name.

Dracula's reflection can be seen in the mirror when he makes Dr. Mornay his next victim. In previous Universal horror films, (notably Lugosi's Dracula and House of Dracula with John Carradine), the undead could be recognized because they cast no reflection. However, this bit of lore had not been established within the context of the Abbott and Costello Meet Frankenstein script.

When the Frankenstein Monster breaks free of his bonds on the operating table in the climactic chase/fight scene, one of his neck electrodes clearly pulls off of his neck.


Awards and honors

American Film Institute recognition

    2000: AFI's 100 Years... 100 Laughs #56

Routines

The Moving Candle routine previously used in Hold That Ghost (1941) was utilized again in this film.

Reissues and home media releases

Abbott and Costello Meet Frankenstein was re-released theatrically by Realart in 1956 on a co-bill with Abbott and Costello Meet the Killer, Boris Karloff.

After being released several times on VHS in the 80's and 90's, the film was released three times on DVD. Originally released as a single DVD on August 29, 2000, it was re-released twice as part of two different Abbott and Costello collections, The Best of Abbott and Costello Volume Three, on August 3, 2004, and again on October 28, 2008 as part of Abbott and Costello: The Complete Universal Pictures Collection.

http://en.wikipedia.org/wiki/Abbott_and_Costello_Meet_Frankenstein